My Photo

  • I'm a writer, journalist, and the editor of The Gambit, the alt-weekly newspaper in New Orleans.

    Journalism: My work has appeared in The Washington Post, the Los Angeles Times, The Globe & Mail (Canada), The Times- Picayune (New Orleans), The Oregonian, and Willamette Week, as well as in magazines including Details, Vogue, Publishers Weekly, and Portland Monthly.

    Publishing: Tight Shot, my first novel, was nominated for an Edgar Award by the Mystery Writers of America. Its sequel, Hot Shot, was roundly ignored by everyone, but was a far better book. I'm also a member of the National Book Critics Circle.

    Stage: I was a member of the Groundlings and Circle Repertory West in Los Angeles, and am a playwright (see "Stage" in the right-hand rail).

CONTACT

  • View Kevin Allman's profile on LinkedIn

« USLA ToTimesDay | Main | To Facebook or not to Facebook »

February 04, 2009

The future of alt-weekly cartoons: a conversation with Matt Bors

After reading about the wholesale cutting of syndicated cartoonists in the nation's alt-weekly, I had an emailed conversation with one of the best young cartoonists out there, Matt Bors, and he posted it on his blog and on the Cartoonists With Attitude site (which has become a daily read for me). We talked about the crisis in the newspaper industry, shrinking page sizes, why cartoons are disappearing, and even managed to talk some smack about the evil that resides in the faux-populist Arianna Huffington.

The conversation got linked by The Daily Cartoonist and the Association of Alternative Newsweeklies; you can read it on Matt's site here.

10:35 PM in Journalism |

|

Comments

Nursing tops

oh cool! can you post your conversations here? thanks in advance. Matt Bors is one of my favorites personalities in the whole world. :D

Posted by: Nursing tops | May 12, 2010 at 07:59 PM

red cross cna classes

I've come across as a manager. He's the guy, if given the opportunity, can get there. He's got the tools, the desire, and the look in his eye. It's not a money thing, or a glory thing. It's a baseball thing."

Posted by: red cross cna classes | July 15, 2010 at 05:26 AM

Brand viagra

I don't like cartoons from 5 years...

Posted by: Brand viagra | January 10, 2012 at 12:17 PM

Drugstorepharm

My favorite cartoons here!

viagra uk

Posted by: Drugstorepharm | May 15, 2012 at 06:26 AM

gorras monster

¡Qué emoción al leer este post! Este año será realmente un regalo de cumpleaños más memorable. Felicidades por tu hermosa * casa * y desearle muchos, muchos años se llena de felicidad y amor. :-)

Posted by: gorras monster | June 11, 2012 at 04:01 AM

The comments to this entry are closed.

RECENT ARTICLES

BOOKS


  • Booklist:
    "A worthy successor to Tight Shot, Allman's insider view of the seamier side of Hollywood is not only hip and entertaining but also has something serious to say about our insatiable hunger for tabloid thrills."

    Washington Post:
    "Barbed, breezy and often pretty funny...sharp and entertaining. Allman can be very funny, and Hot Shot complements nicely the less forgiving takes on Los Angeles as the future of us all. "

    ----------


  • EDGAR AWARD NOMINEE
    BEST FIRST NOVEL
    MYSTERY WRITERS OF AMERICA

    Booklist:
    "Allman turns a very sardonic pen loose on Hollywood's glitz-and-glamour crowd in this entertaining first novel... An impressive debut and an almost sure thing for a sequel."

    New Orleans Times-Picayune:
    "Allman clearly knows those of whom he writes. He's got L.A. nailed."

    Publishers Weekly:
    "Snappy debut... Readers will look for a sequel."

STAGE

  • BOO AND THE SHREVEPORT BABY
    A French Quarter convenience-store clerk has a hilariously traumatic encounter with a pair of Shreveport tourists. Part of Native Tongues 3 (Le Chat Noir, New Orleans; 2001; Steppenwolf Theatre, Chicago; 2006).
  • BACKBONES
    An upper-class black caterer finds comeuppance and redemption. Part of Native Tongues 4 (Le Chat Noir, New Orleans; 2005).
  • MY-O-MY
    A recreation of an evening at the notorious New Orleans 1950s female-impersonator nightclub My-O-My (Le Chat Noir, New Orleans; 2005).
  • THE LOVE GIFT
    A lonely man discovers purpose when he intercepts a televangelist's letters from his neighbor's mailbox. Part of the Dramarama New Plays Festival (Contemporary Arts Center, New Orleans; 2004).
  • BABYDADDY
    A black father discovers that no good deed goes unpunished when he helps his white neighbor bail her son out of Orleans Parish Prison. (Le Chat Noir, New Orleans; 2004; Walker Percy Southern Playwrights Festival, Covington; 2007).
  • TWO IN THE BUSH
    An evening of comedies. In The Stud Mule, the world's richest woman arranges to be impregnated by a doltish escort; in Snatching Victory, an earnest college student runs afoul of her lecherous professor and the dour head of a women's-studies department (Le Chat Noir, New Orleans; 2003).

NEW ORLEANS READING

  • Patty Friedmann: <i>A Little Bit Ruined</i>

    Patty Friedmann: A Little Bit Ruined
    One of the first post-Katrina novels, and probably destined to be one of the best. Friedmann's sequel to Eleanor Rushing finds her crazy heroine still holding everything together after the storm (after a fashion), until she has to leave New Orleans and she falls apart physically as well as mentally. Mordantly, morbidly funny.

  • Tom Piazza: <i>Why New Orleans Matters</i>

    Tom Piazza: Why New Orleans Matters
    The best post-Katrina book I've read. In 150 small pages, Piazza explicates the New Orleans experience simply and beautifully. I'll be passing this one on to anyone who wonders "But why would anyone want to live there?".

Archives

More...

Categories

SUBSCRIBE

  • Add to Technorati Favorites
  • Add to Google
  • BlogBurst.com
  • View Kevin Allman's profile on LinkedIn
Blog powered by Typepad