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  • I'm a writer, journalist, and the editor of The Gambit, the alt-weekly newspaper in New Orleans.

    Journalism: My work has appeared in The Washington Post, the Los Angeles Times, The Globe & Mail (Canada), The Times- Picayune (New Orleans), The Oregonian, and Willamette Week, as well as in magazines including Details, Vogue, Publishers Weekly, and Portland Monthly.

    Publishing: Tight Shot, my first novel, was nominated for an Edgar Award by the Mystery Writers of America. Its sequel, Hot Shot, was roundly ignored by everyone, but was a far better book. I'm also a member of the National Book Critics Circle.

    Stage: I was a member of the Groundlings and Circle Repertory West in Los Angeles, and am a playwright (see "Stage" in the right-hand rail).

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« Arianna Huffington, Matt Taibbi, and the politics of blogging politics | Main | AAN 2007, and some reasons that alt-weeklies are in big trouble »

June 16, 2007

Comments

Cuisine Bonne Femme

"The consensus: the mainstream media (which certainly includes alt-weeklies these days) are not nimble, they're not community-based, they don't inspire discussion."

Yep, you pretty much sum it up here.

Furthermore, it feels that many weeklies have become more interested with themselves as cultural institutions and self-proclaimed "taste makers", rather than as news and culture conduits that they have succumb to belly-button gazing syndrome. What weeklies are not getting is that they are not the interesting part of the story and that they do not drive the culture. Good ones help raise the discussion on it and spread the word on items of note and interest in it, but news is no longer a controlled top-down linear entity.

Alas, this is something that they have had years to address, and the train is so far from the station at this point that I do wonder how long many of them will last in their current form much longer.

Kevin

"Alas, this is something that they have had years to address, and the train is so far from the station at this point that I do wonder how long many of them will last in their current form much longer."

Well, I think the point is that they can't, and they shouldn't, last in their current form. The question is whether they'll be able to maintain (or regain) relevancy and profitability.

A half-assed, timorous, control-freak attempt at blogging won't work. Surprisingly, some of the major dailies are being bolder than the alt-weeklies when it comes to creating discussion fora.

As far as "figuring out financial models that will allow us to pay contributors what they're worth blah blah blah" - they've had more than 40 years to figure that out, and it's become a ongoing con.

If they want to use the work of people "who need the experience," then God bless 'em, but people who don't need the experience need to tell them, cheerfully but bluntly, that perhaps they need to find some managers, editors, printers, accountants, landlords, and newsprint companies "who need the experience" and use the money to pay their goddam writers a decent wage.

Matt Davis

"A half-assed, timorous, control-freak attempt at blogging won't work."

Couldn't agree more. And I'm sorry I didn't cover Huffington. It's inexcusable...

Cuisine Bonne Femme

Matt: It's not too late

The comments to this entry are closed.

RECENT ARTICLES

BOOKS


  • Booklist:
    "A worthy successor to Tight Shot, Allman's insider view of the seamier side of Hollywood is not only hip and entertaining but also has something serious to say about our insatiable hunger for tabloid thrills."


    Washington Post:
    "Barbed, breezy and often pretty funny...sharp and entertaining. Allman can be very funny, and Hot Shot complements nicely the less forgiving takes on Los Angeles as the future of us all. "

    ----------


  • EDGAR AWARD NOMINEE
    BEST FIRST NOVEL
    MYSTERY WRITERS OF AMERICA

    Booklist:
    "Allman turns a very sardonic pen loose on Hollywood's glitz-and-glamour crowd in this entertaining first novel... An impressive debut and an almost sure thing for a sequel."

    New Orleans Times-Picayune:
    "Allman clearly knows those of whom he writes. He's got L.A. nailed."

    Publishers Weekly:
    "Snappy debut... Readers will look for a sequel."

STAGE

  • BOO AND THE SHREVEPORT BABY
    A French Quarter convenience-store clerk has a hilariously traumatic encounter with a pair of Shreveport tourists. Part of Native Tongues 3 (Le Chat Noir, New Orleans; 2001; Steppenwolf Theatre, Chicago; 2006).
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  • MY-O-MY
    A recreation of an evening at the notorious New Orleans 1950s female-impersonator nightclub My-O-My (Le Chat Noir, New Orleans; 2005).
  • THE LOVE GIFT
    A lonely man discovers purpose when he intercepts a televangelist's letters from his neighbor's mailbox. Part of the Dramarama New Plays Festival (Contemporary Arts Center, New Orleans; 2004).
  • BABYDADDY
    A black father discovers that no good deed goes unpunished when he helps his white neighbor bail her son out of Orleans Parish Prison. (Le Chat Noir, New Orleans; 2004; Walker Percy Southern Playwrights Festival, Covington; 2007).
  • TWO IN THE BUSH
    An evening of comedies. In The Stud Mule, the world's richest woman arranges to be impregnated by a doltish escort; in Snatching Victory, an earnest college student runs afoul of her lecherous professor and the dour head of a women's-studies department (Le Chat Noir, New Orleans; 2003).

NEW ORLEANS READING

  • Patty Friedmann: <i>A Little Bit Ruined</i>

    Patty Friedmann: A Little Bit Ruined
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  • Tom Piazza: <i>Why New Orleans Matters</i>

    Tom Piazza: Why New Orleans Matters
    The best post-Katrina book I've read. In 150 small pages, Piazza explicates the New Orleans experience simply and beautifully. I'll be passing this one on to anyone who wonders "But why would anyone want to live there?".

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