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  • I'm a writer, journalist, and the editor of The Gambit, the alt-weekly newspaper in New Orleans.

    Journalism: My work has appeared in The Washington Post, the Los Angeles Times, The Globe & Mail (Canada), The Times- Picayune (New Orleans), The Oregonian, and Willamette Week, as well as in magazines including Details, Vogue, Publishers Weekly, and Portland Monthly.

    Publishing: Tight Shot, my first novel, was nominated for an Edgar Award by the Mystery Writers of America. Its sequel, Hot Shot, was roundly ignored by everyone, but was a far better book. I'm also a member of the National Book Critics Circle.

    Stage: I was a member of the Groundlings and Circle Repertory West in Los Angeles, and am a playwright (see "Stage" in the right-hand rail).

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NEW ORLEANS BLOGS

« The return of the Superdome, and Irma Thomas | Main | The Onion, brilliant as ever »

September 28, 2006

Comments

R

I thought it was just me. I've had a couple of these in the last little while, too. An automaker's Miami-based advertising agency contacted me, wanting to use a photo I'd run alongside an auto review I published. It was going to go into a promotional brochure -- I think they said 30,000 or 50,000 copies.

Sure, said I. Not a problem. What size do you need? And what about remuneration?

Silence.

"Ummm ... well, how much would you want?"

We finally negotiated a price. Chump change, really, if you considered what they'd pay to have a professional go out and stage the shot. But as you say, groceries or a winter coat with a bit left over, and I'd already been paid once for the photo and digital costs nothing to send.

That was May, I think. As requested, I sent an invoice. Then they had me fill out a W9 form, although they then said, "Oh, wait, you're in Canada, you don't need that. But fill it out anyway."

In July, another person contacted me. You need to send an invoice and fill out a W9. I've done that, I said. But here you go, I'll do it again.

August. Guess what they needed -- again. From another person.

Two weeks ago, I got a message on my cell phone. Am I supposed to pay this invoice in U.S. or Canadian dollars, she asked. And she rattled off the phone number so quickly that I finally gave up, on the fifth try, of attempting to write it down. I contacted the original person, who gave me her email address. I sent her an email saying, in effect, just pay the damn thing in U.S. dollars, and today would be nice.

I'm forcing myself to think that it's just taking a while to make its way up from Miami to Ontario, but I have a funny feeling I'm going to have to make a few more phone calls yet.

R


Further to this, I finally received my payment on October 23. For a photo I agreed to sell to them in June. They spelled my name wrong on the check and had the wrong postal code on it, which may explain the week's delay from the time they said they actually mailed it.

Along with the check was an "Important Notification" on blindingly neon pink paper; among the help requested "to ensure the timely payment of your invoices" was this:

"All invoices must be received timely...if a payment to us is denied due to a delayed invoice from you, we will request that you issue us a credit for that invoice."

Hmmmmm.

I love this job sometimes...

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RECENT ARTICLES

BOOKS


  • Booklist:
    "A worthy successor to Tight Shot, Allman's insider view of the seamier side of Hollywood is not only hip and entertaining but also has something serious to say about our insatiable hunger for tabloid thrills."


    Washington Post:
    "Barbed, breezy and often pretty funny...sharp and entertaining. Allman can be very funny, and Hot Shot complements nicely the less forgiving takes on Los Angeles as the future of us all. "

    ----------


  • EDGAR AWARD NOMINEE
    BEST FIRST NOVEL
    MYSTERY WRITERS OF AMERICA

    Booklist:
    "Allman turns a very sardonic pen loose on Hollywood's glitz-and-glamour crowd in this entertaining first novel... An impressive debut and an almost sure thing for a sequel."

    New Orleans Times-Picayune:
    "Allman clearly knows those of whom he writes. He's got L.A. nailed."

    Publishers Weekly:
    "Snappy debut... Readers will look for a sequel."

STAGE

  • BOO AND THE SHREVEPORT BABY
    A French Quarter convenience-store clerk has a hilariously traumatic encounter with a pair of Shreveport tourists. Part of Native Tongues 3 (Le Chat Noir, New Orleans; 2001; Steppenwolf Theatre, Chicago; 2006).
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  • MY-O-MY
    A recreation of an evening at the notorious New Orleans 1950s female-impersonator nightclub My-O-My (Le Chat Noir, New Orleans; 2005).
  • THE LOVE GIFT
    A lonely man discovers purpose when he intercepts a televangelist's letters from his neighbor's mailbox. Part of the Dramarama New Plays Festival (Contemporary Arts Center, New Orleans; 2004).
  • BABYDADDY
    A black father discovers that no good deed goes unpunished when he helps his white neighbor bail her son out of Orleans Parish Prison. (Le Chat Noir, New Orleans; 2004; Walker Percy Southern Playwrights Festival, Covington; 2007).
  • TWO IN THE BUSH
    An evening of comedies. In The Stud Mule, the world's richest woman arranges to be impregnated by a doltish escort; in Snatching Victory, an earnest college student runs afoul of her lecherous professor and the dour head of a women's-studies department (Le Chat Noir, New Orleans; 2003).

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  • Tom Piazza: <i>Why New Orleans Matters</i>

    Tom Piazza: Why New Orleans Matters
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