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  • I'm a writer, journalist, and the editor of The Gambit, the alt-weekly newspaper in New Orleans.

    Journalism: My work has appeared in The Washington Post, the Los Angeles Times, The Globe & Mail (Canada), The Times- Picayune (New Orleans), The Oregonian, and Willamette Week, as well as in magazines including Details, Vogue, Publishers Weekly, and Portland Monthly.

    Publishing: Tight Shot, my first novel, was nominated for an Edgar Award by the Mystery Writers of America. Its sequel, Hot Shot, was roundly ignored by everyone, but was a far better book. I'm also a member of the National Book Critics Circle.

    Stage: I was a member of the Groundlings and Circle Repertory West in Los Angeles, and am a playwright (see "Stage" in the right-hand rail).


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September 17, 2008


Michael H.


Great review. I'm also in exile from Katrina, in the D.C. area. Your review has convinced me to go out and buy the book. Especially evocative is the next-to-last graf:

"But Craig and SJ, different as they are, have one thing in common: They're stuck in place, unable to move on from New Orleans, unable to move back. For them, Chicago and Houston are mental dislocations as much as physical ones. That feeling of rootlessness is the central theme of "City of Refuge," and for anyone whose life has been upended by natural disaster, the novel's sense of being out of place will resonate just as loudly as it did in 'Why New Orleans Matters.''"

Yeah, Kevin. It resonates - loudly.

Kate Mooney

wow, a real new orleans writer! i'm just getting started with blogging...check it out

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So is rural or urban life more sustainable? The question itself is probably misleading. Just as it is apparent that cities will have major difficulties in the coming years, it is also obvious that striking out for the wilderness on one’s own alone is naïve; very few people are actually able to be completely self-sufficient, even if they are able to tolerate living that way.

T Dub

This book is great for anyone who wants to open their mind and explore two different sides of a very tragic event. By offering glimpses into the lives of one family living in the Lower Ninth Ward and one living in uptown during Hurricane Katrina, it gives a better understanding of what really happened and what the response was truly like.

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a great book really a good one, for sure you can make more reviews about this author, and all the others books related with this, by the way, can you make a review about H.P Lovecraft? is my favorite author.

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Tack för att du önskar oss alla stunder av fred, tydlighet och oändliga möjligheter. Fortsätt skriva och vi fortsätter att läsa en sådan en mycket trevlig och inspirerande blogg.

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  • Booklist:
    "A worthy successor to Tight Shot, Allman's insider view of the seamier side of Hollywood is not only hip and entertaining but also has something serious to say about our insatiable hunger for tabloid thrills."

    Washington Post:
    "Barbed, breezy and often pretty and entertaining. Allman can be very funny, and Hot Shot complements nicely the less forgiving takes on Los Angeles as the future of us all. "



    "Allman turns a very sardonic pen loose on Hollywood's glitz-and-glamour crowd in this entertaining first novel... An impressive debut and an almost sure thing for a sequel."

    New Orleans Times-Picayune:
    "Allman clearly knows those of whom he writes. He's got L.A. nailed."

    Publishers Weekly:
    "Snappy debut... Readers will look for a sequel."


    A French Quarter convenience-store clerk has a hilariously traumatic encounter with a pair of Shreveport tourists. Part of Native Tongues 3 (Le Chat Noir, New Orleans; 2001; Steppenwolf Theatre, Chicago; 2006).
    An upper-class black caterer finds comeuppance and redemption. Part of Native Tongues 4 (Le Chat Noir, New Orleans; 2005).
  • MY-O-MY
    A recreation of an evening at the notorious New Orleans 1950s female-impersonator nightclub My-O-My (Le Chat Noir, New Orleans; 2005).
    A lonely man discovers purpose when he intercepts a televangelist's letters from his neighbor's mailbox. Part of the Dramarama New Plays Festival (Contemporary Arts Center, New Orleans; 2004).
    A black father discovers that no good deed goes unpunished when he helps his white neighbor bail her son out of Orleans Parish Prison. (Le Chat Noir, New Orleans; 2004; Walker Percy Southern Playwrights Festival, Covington; 2007).
    An evening of comedies. In The Stud Mule, the world's richest woman arranges to be impregnated by a doltish escort; in Snatching Victory, an earnest college student runs afoul of her lecherous professor and the dour head of a women's-studies department (Le Chat Noir, New Orleans; 2003).


  • Patty Friedmann: <i>A Little Bit Ruined</i>

    Patty Friedmann: A Little Bit Ruined
    One of the first post-Katrina novels, and probably destined to be one of the best. Friedmann's sequel to Eleanor Rushing finds her crazy heroine still holding everything together after the storm (after a fashion), until she has to leave New Orleans and she falls apart physically as well as mentally. Mordantly, morbidly funny.

  • Tom Piazza: <i>Why New Orleans Matters</i>

    Tom Piazza: Why New Orleans Matters
    The best post-Katrina book I've read. In 150 small pages, Piazza explicates the New Orleans experience simply and beautifully. I'll be passing this one on to anyone who wonders "But why would anyone want to live there?".


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